taken from Material Witness
Another week, another Scandinavian crime fiction author. Another strong, well-structured, terrifically readable novel and yet another strong, introspective leading man.
Inevitably, Camilla Ceder's debut novel Frozen Moment has led the marketing department at publisher Weidenfeld & Nicholson to draw comparisons with the famous names of Nordic fiction. "Move over Wallander", declares the back cover of the advance reader copy.
As good as this debut is - and it is very good, and full of promise for what is set to be the beginning of a series featuring Swedish detective Christian Tell - it's important to maintain a sense of perspective. Ceder has a long way to go before she will earn a place in the pantheon of Scandinavian crime fiction champions where Henning Mankell, the late Stieg Larsson and a very select number of others - Jo Nesbo perhaps - currently reside.
What she shares with these notables, and others such as Camilla Lackberg and KO Dahl, is a strong sense of place, excellent plotting and credible characterisation. If anything defines the extraordinary and apparently relentless rise of Scandinavian fiction, for me it is these three qualities, and in particular the plotting.
It would be easy to draw cheap stereotypical conclusions about ordered minds and ordered societies producing writers with organized minds who produce impeccably plotted and well executed novels. Cheap maybe, but the more Scandinavian fiction I read the more I am drawn to this idea. READ MORE....
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